The Italian Retreat from Modern Architecture

The Italian Retreat from Modern Architecture lance Pont, Nonlinearity and others Italy is decentralized in Europe, south perspective ripping Transition Interview Difficult home in the way they accept refugees, pressures Italy ease up never been absolute 1860- merge by man but not unified in region, approaches to life, goal and language vary great amounts between cities of Italy. 1959?Renee Bonham Nonlinearity, the Italian retreat from ultramodern room decoratorure Attacking individualistic new Italian architects that were trying to be dedicate in the way they developed architecture, Just arouse in themselves Guide Canella, a rapscallion from the article on the Amsterdam School Renee Bonham, finding of his article in The Architectural Review Ernest Nathan Rogers, Continuity o crisis? (Continuity of crisis? ), Isabella, no. 1 5, April-May 1957 early 20th century example of modern architecture, not an colour clean architecture of machine Bonham is English, evictnot underst and how Italians perceived architecture, they did not bring down it was something that could revolutionize or save the world. Nonlinearity the type of architecture that was used in certain parts of Europe around he end of nineteenth century beginning of 20th common ground, trying to shift from eighteenth and 19th century architecture but was not interested in architecture as a machine and that direction Bonham is much more(prenominal) than black and white, Isabella, no. 1 5, April-May 1957, content page with image of render in El Heaver by Pepper Eduardo Persist, Salad Della Aviators (Victory Room), VI triennial, Milan, 1936 Adulterate Liberal, field of study Maladapted, Capri island, Naples, 1938-40 windowpane Frames- full of matter Floor- not a functions type of modernist Window back of fireplace, sense of merging with the sun and the yellow orange lames of the fire. Onto born(p) 1891-1979, generation of El Sorbs product of Italy TM most prominent architect that tried to un derstand bourgeois importance of discussion preferably than get to a point founder and director of Dooms clip director of Stile magazine fishgig specify, Mate laureateship (In praise of Architecture), book, 1957, preserve page gig Pont, Laureateship e UN offer (Architecture is a crystal), (a publication that was published a bit earlier) Stile magazine, cover page Misaims Campaign, portrait of the transfer family, painting ads for Richard Ignoring products, Dooms no. 1 GIG point, lancet Pont, kitchen plates for Richard Ignoring, 1923-25 , Vase, ceramic work Gig Pont, Hands, ceramic work phratry in via Rancid, Milan, 1924-26 point, Gig Point, House in via Rancid, Milan, 1924-26 point, Vile Boutique, Searches, 1925-26 El Couriers, Vile Stein, Searches, 1927 Comparison of devil houses El Sorbs machine type of plan Built same quantify but different eras Gig Pont, Vile Bouillon, Searches, 1925-26, view Gig Point, House in Via Domenici, Milan, 1928-30 Gig Pont, House in Via Dome nici, Lantern on the roof teetotum Fillips Brucellosis, Lantern on top of dome, S. Maria del Floor, FlorenceGig Pont, lifelike and Textile design work Gig Point, Graphic and Textile design work Gig Point , Aria Italian magazine, cover page Gig Point, Dooms Serene, Via De Togging, Milan, 1933-36, facade Dooms Latin word for house Vs.. El sorbs towards a new architecture, you can see the difference between the two Gig Point, Typical Houses Via De Togging, Milan Gig Point, Dooms Julia, Via De Togging, Milan, 1931-34, fade rooms in houses were scarce allowed to be so big in order to help jackpot with the demand for housing Point created the idea of using a cleavage in the middle of a room to create two roomsItalians dont have second hand shops because they keep e rattlingthing, would never see a garage sale etc.. Even stay in the same house windows that frame of reference views Gig Pont, Marmot House, Milan, 1933-36 works with curtains, works with lots more things than Just the wa ll believed excogitation piece of furniture was part of the architecture , Domestic space, exhibition installation at the 6th Triennial, Milan, 1936 GIG point dinner set, sass Gig Pont, dinner set and tablecloth, sass Gig Point, dinner set and tablecloth , Ferreira company, chairman office, capital of Italy, 1936 vendetta Furnishings, (an organized wall), Milan, 1938 Amour Belle, Table- container, prototype, Ghetto-ambient Exhibition, Association J.Voodoo et Bruno Danes, Milan, 1994 Calvin, Merlin, Mayo, Window-screen, prototype, Ghetto-Ambient Exhibition, Milan, 1994 Calvin, Merlin, Mayo, Window-screen, prototype, Ghetto-Ambient Exhibition, Milan, 1994 Bruno Veering, movable shelving system, prototype, Ghetto-Ambient Exhibition, Milan, 1994 Bruno Veering, movable shelving system, prototype, Ghetto-Ambient Exhibition, Milan, 1994 idea of having a single element with multiple functionsGig Point, Bed, furniture design Marco Removable, Mart Laudanum, peregrine Cardboard Panel, prot otype, Ghetto- Ambient Exhibition, Milan, 1994 kinetic transitional Raisin pillar, almost works as context itself Softness, reduce sense of mass accompanies organic roof point, Lamp, 1960 Ambient Exhibition, Milan, 1994 Antonio Astor, Intemperate (Internally) furniture system, Deride production, sass Joe Colombo, Box 1, day-and-night furniture facility, 1968 Joe Colombo, agora Plastic System, furniture system, 1969 idea of liberating people from the kitchen Joe Colombo, Root-living, furniture design, 1969Joe Colombo , cabriolet-seed, 1969 , Multi-chat, 1970 , Mint-kitchen, 1963 Joe Colombo, Combo-center container, 1963 Joe Colombo, Tube-Chat, 1969 Joe Colombo, Visions exhibition, 1969 Gig Pont, Medication Building, Milan, interiors, 1935-38 Gig Point, Medication Building, Milan Gig Pont, Medication Building, Milan Gig Pont, Raisin rise, Milan, 1933-36, situation drawing Gig Pont, Raisin Tower, Milan, 1933-36, photo with neoclassic Portal Venetian in the foreground Gig Pont, Rai sin Tower, Milan, the tower and the park Gig Pont, Raisin Tower, Milan, rooftop GIG point, R best -rower, Milan, 1933-36Pitter Dieresis, Tower Building, Berlin, 1986 Pitter Dieresis, Tower Building, Berlin, 1986, plan + elevations, drawing Pitter Dieresis, Tower Building, Berlin, view from the street tower view at night, looked like a painting Gig Pont, Raisin Tower, Milan, side fade Pitter Dieresis, Tower Building, Berlin, view from the street Dieresis tower wants to be a mediator between the road and Gig Point, Scenes and costumes design for Stravinsky Applicable, Triennial Theatre, Milan, 1940 Gig Point, glass bottles and cups, design for Venin Company, 1946-49 Gig Pont, La Paving coffee machine, Milan, 1948Gig Pont, Andrea Dorian ship, interiors, 1948-52 back breaker WAS READY TO DECORATE DCORE, this was not supported by contemporaneity In production, building offices, he becomes very rigorous Rigor in Milan, people dress elegant but all the same Rome things change, they are m uch more began with colors, eat outside Linking back to how thither is a large cultural difference in each metropolis e etc. Dulcimer store, Milan, interiors with surrealist objects, late ass, early ass , Casino, San Remote, interiors and furniture, 1950 Gig Pont, Casino, San Remote, interiors and furniture , Staccato Apartment, interior and furniture, 1950Gig Point (with Piper Fornicates), Interior exhibition, 9th Triennial, Milan, 1951 Gig Point (with Piper Fornicates), Lucian Apartment, interiors and decorations, 1951 Gig Point (with Piper Fornicates), Lucian Apartment, early (and grace) version of Supercharger chair, 1951 Gig Pont, his own architectural office, Milan, 1952 Gig Pont, his own architectural office, interiors Milan, 1952 Eduardo Persist, Marcello Nozzle, Salad Me jadeval doorway (Gold Medals Room), Italian Aeronautics Exhibition, 1934 Gig Point, Mate laureateship (In praise of Architecture), book, 1957, cover Point is very good with sensibility of spaceGig Point, Supercharger chair, 1957 Chivalric chair supercharger, super light chair, can be lifted with pinky finger very famous, incorporate passing(a) objects vernacular design, beautiful but clumsy Guide Canella, furniture design, prototype, Nevi invention per IL Mobile Italians ( impertinent throw for Italian Furniture) Exhibition, 1960 Roberto Gigabit & Mario Sisal, furniture design, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 Aledo Rossi, Table, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 Josef Hoffmann, Stole Building, Brussels, 1905 Rossi looks at structures that are much more linearHoffmann, type of corner that marks the buildings, much more conceptual Age Ailment, Rocking chair, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 Age Ailment, Bookshelf, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 Vitriol Garrotter, armchair, prototype, Nevi Design per IL Mobile Italians Exhibition, 1960 java Rival, deckchair, pro totype, Nevi Design per IL Mobile Italians Exhibition, 1960 all furniture about putt more rather than less human posture curved Achilles Castigation, debauchery Brad Pub-Bar-Restaurant, Milan 1960 Achilles Castigation, Splurge Brad Pub-Bar-Restaurant, Milan 1960 Achilles Castigation, San Luck armchair, prototype sense of mean, floating lamps (named after the restaurant) total linear, rather than Just repeating the same element Marco Suzann, Lady, armchair, 1950 Franco Albania, Margarita, Malice bamboo-cane armchair, 1950 Gig Point, Continuum, cane-chair, bird of paradise production, 1963 Gig Point, Novella, armchair, C&B production, 1968 Gig Point, Villa Plainchant, Caracas, Venezuela, 1955 closed volumes, moments of surprises materiality with layers, livery layers to modernism Gig Pont, Point apartment, Via Daze, Milan, 1957, interiors designed his own house, colorful tiles. Decorations very Joyful Gig Pont, Furnished window for an exhibition in New York, 1953 interested in discu ssing con-fusion, to be one, inability to differ areas of space decorated elements that duplicate themselves in mirrors around.Gig Point, Hotel Parch die Principia, Rome, 1964, interiors Gig Pont, Hotel Parch die Principia, Rome, 1964, interiors Gig Point, Hotel Parch die Principia, Rome, 1964, fade (detail) Gig Pont, project for an Italian Embassy building, early sass, drawings interested in natural mass architectural reach to a natural form and vise versa not particularly interested in function Gig Pont, healthful fixtures set, Ideal Standard, 1953, drawings with notes Gig Pont, sanitary fixtures set, Ideal Standard, 1953, washbasin Gig Pont, sanitary fixtures set, Ideal Standard, 1953, toilet Gig Pont, sanitary fixtures set, Ideal Standard, 1953, toilet and more set components Gig Point, stigma flatware, Italian Group, 9th Triennial, Milan, 1951, sketches and notes Gig Point, steel flatware, Italian Group, 9th Triennial, Milan, 1951 Idea of redesigning a differentiate Gig Poi nt, vases, Sebastian production, 1956